New Philosophy Compass Issue, Sept 2011


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The latest issue of Philosophy Compass is available on Wiley Online Library

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Aesthetics & Philosophy of Art

Aesthetics of Opera (pages 575–584)
Paul Thom

Continental

Schelling’s Contemporary Resurgence: The Dawn after the Night When All Cows Were Black (pages 585–598)
Jason Wirth

Legal & Political

Emotions and the Criminal Law (pages 599–610)
Mihaela Mihai

Logic & Language

Generalized Quantifiers and Number Sense (pages 611–621)
Robin Clark

Negation, Denial, and Rejection (pages 622–629)
David Ripley

Naturalistic Philosophy

Empirical Arguments for Group Minds: A Critical Appraisal (pages 630–639)
Robert D. Rupert

Philosophy of Science

Introduction to the Philosophy of Statistical Mechanics: Can Probability Explain the Arrow of Time in the Second Law of Thermodynamics? (pages 640–651)
Orly Shenker and Meir Hemmo

Surrealism and Philosophy

With the Tate Galleries showcasing a pair of exhibitions dedicated to two of its most cherished exponents this summer, Surrealism is back. The truth is, it never went anywhere. Ever since it was unleashed by the influential French poet Guillaume Apollinaire – perhaps from somewhere deep in our collective unconscious – the term Surreal has paradoxically become a common part of our everyday language.

The wild geometries and rural Catalonian landscapes of the painter Joan Miró hang currently on the walls at the Tate Modern in London, and Tate Liverpool are expecting an abundance of bowler hats, blue skies and pipes imminently for their René Magritte exhibition in June. Ahead of these events, however, one blogger reminds us that far from originating with figures like Miró and Magritte, or even André Breton, author of the Surrealist Manifesto and self-styled leader of the Surrealist group, the ethos of the surreal had been in the air of the art world from as early as 1860. The French Symbolist painter Gustave Moreau is highlighted as a particularly strong precursory example. (In fact, something of the surreal aesthetic occurs as far back as the mid-1500s, in the unique work of the Italian painter Giuseppe Arcimboldo). Continue reading “Surrealism and Philosophy”