Sorry to make it two in two on Simon Reynolds but something else struck me when writing my previous post. A recent grenade in certain parts of the blogosphere has been his concept of a “hardcore continuum”, the theory of a strand of music stretching from breakbeat hardcore in the early nineties, through jungle and garage to dubstep and grime in the noughties. Reynolds writes in his introduction to his seminal series of articles in The Wire that “it was only in 1999…that I really became conscious that for several years I’d been documenting a continuum of musical culture that emerged out of the British rave scene”. In doing so he makes explicit something that lately seems to have slipped his mind: that it is only after something has happened that we can begin to understand it. This is what Hegel meant when he said that “the owl of Minerva spreads its wings only with the falling of dusk” – we can only understand a particular historical (or social or cultural) moment once it has passed. Continue reading “Owls and Rave Music”
Many thanks to all those of you who have already registered for the upcoming Compass Interdisciplinary Virtual Conference. We’re very excited to see so many delegates from around the world and look forward to a truly global conversation during the conference.
The conference website will be completely free and open to all, but registrants will receive something extra; a Virtual Delegates Pack, which will include the full conference schedule, details of the discounts available on Wiley-Blackwell publications (as part of our book exhibit), our new Online Author’s Survival Guide and much more.
Judging by the feedback we’re receiving, many of you are looking forward to participating in this online conference, as travel to a face-to-face event would be much more difficult (and less ecologically friendly).